Show Me The World

Somehow we’re all here.

Show Me The World

By Tyler Lucas Mobley

Expectation, fall into place, a falling place,

ahh how you soon learn things have

a way of going where few things go. 

Jurassic acknowledgement, life finds 

a way. Jumanji drums feet lift from earth,

bridge to all may be. 

Be found oh distance one, have your

rathers. Say you galloping sun, for I am 

the only one to wrap your cloak around

and hold me night. Trace suspension 

to n fro gages something well below,

always now, prism rhyme obeys light. 

Heavy is the point, feel the weight of

the world translated through you,

something to push against. Hold me 

down so I may fly, have the moon in

my lap looking at what always held me 

back, in the cloak of time. 

Eternal Resolve

The pleasant pairing of space & time. Originally titled Passion Patrol.

Eternal Resolve

By Tyler Lucas Mobley 

Pleasure running out my toes 

greed blown from thy nose 

sung in manor of mountain temple 

obscuring boundaries when able

to coax frequency with command 

returns oneself to cradling hand 

of a world all for you. 

seeing with infinity

originally titled, loose lids of wondrous visions. glimpsed 1-16-22

rewritten today.

seeing with infinity

By Tyler Lucas Mobley

At once at once 

follows an order 

beckoned to redeem 

forgone reason in

light of Spring as

never before season,

delighted upon the chance 

to integrate of a different

harmony altogether. 

If It’s Time We Must Bear

George Harrison’s Living in the Material World… comes to his son in a dream.

If It’s Time We Must Bear

By Tyler Lucas Mobley

Untool mind to spare time those steps 

never taken. Relishing difference the 

song of new eyes, a respectable space 

comfortable, not overdone. An orbital 

perspective feels the pull of a world

willing you back to cuddle up and listen.

All was a trap beyond our hitherto existence, a

collection of shapes behaving as one striding being 

with the sum of human efforts playing out in precisional 

tattoos, till accusations arise about an unacknowledged

separateness between two arms on one body driving 

the operator mad with itchy skin, deciding best march 

for Andromeda, agonizing surrender.

Arriving before we’re ready if it’s time we must bear, 

recline to find it’s not there, hatching then a chick of

eternal incubation, cute, fluffy, and unchanged. 

Surprised to notice those baby steps were always

at your feet, a breadcrumb trail for mice of men. 

Stand Up Steve

In baseball it’s called your summer family, in surfing it’s your winter family, when the ocean awakens sleeping giants. This was early in November.

Stand Up Steve  

By Tyler Lucas Mobley

Paddles up mirroring messiah,

been awhile since we caught up,

as an aging surfer, he’s apprenticing 

under a wave guru up north, one of 

the salty till senile types. “My pop up

is good for a few waves, then I’m just

blowing it. I’ll do anything to stay on a 

shortboard, motioning his paddle at the

monstrosity of buoyancy under foot.

Being able to set that line and go, with 

this, making moch jump as though he

had cinder block feet. A crystalizing

thought, “less resistance, all response.” 

Announced in the manner of mention, 

they let the words hang for a moment

grappling with how minutia of honest

pursuits mirror life at their core. Being

in the world, a deepening of self.  

Our Own Devices

An afternoon of adventure.

Our Own Devices 

By Tyler Lucas Mobley 

Dip into nothing

skipping town, 

Hawaiian slice 

pineapple underground. 

Arms no longer arms, 

but propellers motoring 

into any desired ripple

for a more simple eternity. 

Ocean collaboration

with visual dilation, no

hermit left unshelled from 

an encompassing meld.

Every stone turned from

Bikini Bottom. 

Wooing day satisfies night, 

their love a sight for our eyes.

A light reminder for the striving, 

be back tomorrow for the same 

lesson said the golden teacher.  

Forever Sweet Caroline

 words of gratitude

Forever Sweet Caroline

By Tyler Lucas Mobley 

Don’t be surprised when the lady on the bench says into her phone,

“What do you mean my jet can’t land?” then tells her assistant next

to her to look up the flight authorization number, “no I’m here see

that’s unacceptable,” and she’ll go on bulldozing then garner 

sympathy from people with name tags knowing full well no one 

can relate to her problems. 

Fighting off expectations of a pocket full of money, happening

with such regularity in the occupied role, reality becomes another

check out. Glazed reproductions of the same interaction with

different faces, these trenches are hard to climb.

A bass line everyone knows, hands reach for other hands or

pull up a dress for a dance floor dash because they understand

it won’t play again. Inclined to soften the eyes to the memories 

being made before them. Mental barrier to how this band’s cover 

doesn’t hold up to the week before, when there’s cake, eat. 

Because once you may be asked, “Can you take us back to 

our rooms, we forgot our hats?” when they return in bucket hats 

with Turkish House Mafia stitched in you’ll find out the groom

is a DJ and witness years of ridicule for his questionable taste come

full circle in a heartfelt gesture. “To the afterparty?” 

Discovering the woman to whom the lyric is directed, who for

decades the collective voices have congregated, will need your help 

and you’ll come running to her door to find a Kennedy out in the 

cold prone to the same faults. Exchanging smiles and a set of keys, 

never a more endearing normal than from forever Sweet Caroline.   

Clicking Reel

Clicking Reel 

By Tyler Mobley

Letting out line, mind a clicking reel, wonky

film projector tempting realities to

sprout from skull and politely ask the present 

for a dance, only to ruin her and take her place.  

Sea surface storms about how the heart wants 

if skin would show it, left with throwing rocks 

to ripple the calm, trusting it will return when 

our minds are ready. 

Marble monks on city hall contain all things and 

none with how they hold themselves,

conversing behind our backs, you’d swear on

their rolling eyes, unmoved movers of sacred bust.

Falling as a precious drop onto vacant dune, 

giving life to dust in a flood of visions, that

may last the next rain. 

Kendall McClellan’s Lesson Plan: A Pandemic Miracle

CSUCI Spring 2020

Kendall McClellan’s Lesson Plan: A Pandemic Miracle  

By Tyler Lucas Mobley

We’d emerged from Baldwin and Hughes to “Let America

Be America Again” she took a brave stance behind the 

lectern and said “when I made this lesson plan back in

Christmas break, I never would’ve guessed that the day

I planned to talk about the stock market crash of 1929, 

the market would fall by a percentage that exceeds the 

record set the week that began the Great Depression.” 

The students just shift in their seats already convinced

their future is moot. This is what an education buys, 

informing you of the irony over head like a bucket of

icy water ready to drench, who’s recording?

The Diamond Princess hung on the horizon as an 

appetizer for things to come, while most were 

fenced on how Buttigeig gave suspicion that if you 

peaked inside his suit there would be dozens of 

mice pulling levers. Then it happened, the world

held it’s breath, some became deciders of 

essentiality while others never picked up their 

heads from the task at hand. 

Never more definitive uncertainty in the air 

her head recoils as if hit with a whiff of awful,

dispelling a reality she’d rather not accept. 

And then class went on, because that’s what 

we did back then. If I’d known it’d be my last 

day with her I might’ve made more of a goodbye. 

Notes to Generation Fortunate Son

Spawned from a memory of Eli’s 4runner.

Notes to Generation Fortunate Son 

By Tyler Lucas Mobley 

Fuzzy flags carried off planes

no one needs to ask about. 

Spare my eyes the sight

society says to itself. 

Protest read aloud the writing on the wall, 

a cousin, a brother, a father ties a nation 

in a knot no one is sure they should be in. 

Growing pains diagnosed from the comfort 

of their sacrifice, 40 years later teenagers 

returning from a high school lunch at Chipotle 

hang out car windows, hands managing the recoil 

of machine guns mounted to the chopper they’re 

clipped to, because Creedence is playing on max,

Lieutenant Dan taught us to walk again. 

Covered by the freedom those died providing

colors fade with the fog of endless war.

Not that anyone notice when times grew slack,

media removed vulnerable to reality’s attack.